Part 4, Episode Nº 77, Chroniques de France (1964–1978) — This 4-part film covers the "Abstrels" of artist Jacques Potin (Bernard Queysanne); Paul Gauguin in Tahiti (Jean-Daniel Simon); the visit of a silversmith's workshop (Jacques Scandelari); and the theatrical burlesque troupe "Jérôme Savary's Magic Circus" (Claire Denis).

Starring magician Mark Wilson, his partner Nani Darnell Wilson, and Paul Frees as Poppin Fresh, the Pillsbury Doughboy. as you see sketches of performers doing magic and Pillsbury commercials also being shown too. Other people include illusionist Greg Wilson, Bev Bergeron as Rebo the Clown, Dai Vernon, Shimada, Jay Marshall, Rico, Carl Ballantine, and Art Metrano.

This socially-driven film explores the impact of technological changes on the city of Saint-Jérôme, which faced a severe socio-economic crisis in the 1960s, mirroring issues in other Quebec cities. Citizens from all social classes come together in a monumental effort to address the crisis. The film serves as both a reflection of this situation and a catalyst for action, acting as a mediation tool between technology and those affected, and facilitating participation in the reorganization of society.

“Being Jérôme Boateng” tells the story of a soccer world champion between triumph and downfall. From the soccer field to the 2014 World Cup title, from celebrated symbol of integration to convicted perpetrator of intentional bodily harm against his ex-partner. The documentary series looks behind the façade of professional soccer—a system that produces heroes but neglects people. It also addresses the question of how a soccer player is stylized into a role model by the media and society and burdened with excessive expectations. Boateng's story is thus also one of false projections that encourages us to reflect on our treatment of and longing for sports idols: What do we want to see in them? Do soccer players have to be heroes?

Told entirely through social media and smartphone screens, this bold adaptation of Romeo and Juliet reinvents the world’s most enduring love story with style and lyricism, with black and brown youth at the heart of it all.

十年来，一家人始终生活在一座岛上，与现实世界相隔绝。这种看似和谐的生活实则成了一个陷阱。母亲不顾伴侣的反对，毅然决定回到她曾经离开的世界。《SWARM》是一部扣人心弦的心理剧，探讨了当今世界一些关键的存在主义主题和问题。电影制作人期望它能促使观众深入思考自由的本质，以及我们在追求自由的过程中所做出的选择。

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Feature-length documentary directed by Mireille Danserau in 1973: in-depth interviews with four young women who explain their complex relationships with men, motherhood and their own femininity, sometimes radically detaching themselves from the standardized and traditional conception of the couple.

A parody of television shows and streaming platforms.